Pitchfork’s Top 200 of the 1990s

Lists and articles such as these always make a bunch of people angry, and to be quite honest I didn’t expect much considering it was coming from Pitchfork. Aside from Blackdown’s column I admittedly don’t pay much attention to the publication.

These transgressions aside, the list is well-roundned, and the top twenty is fairly on point. They provide good context for the tracks they have selected, and obviously brief biographical information when needed.  As someone who spent their formative music years growing up during this time period, I cannot deny the effect a lot of these selections had on me. As it was explained yesterday, having a proper understanding for of my past musical tastes does provide some insight into how I approach reviews today.

I don’t want to give any of it away, so I leave it to you to go read it and formulate your own opinions.

Pitchfork’s Top 200 Tracks of the 1990s:
200-151
150- 101
100-51
50-21
20-1

Rising: James Blake (via Pitchfork)

Pitchfork has an excellent write-up today on one of the most innovative producers in bass music right now. Be sure to click on over and get some knowledge on James Blake.

Blake’s sounds have been a main-stay in my DJ sets and radio shows for a while now and from the looks of things following his latest Hessle Audio release “The Bells Sketch EP,” he will remain there for quite some time.